The archive serves as a detailed record, with threads spanning multiple years, including months like July, August, and September of 2014, continuing through 2015 and 2016. The range of subjects covered is expansive, and the content is organized by week, allowing for easy access to past threads. Additionally, many weeks are available in both regular text and Gzip-compressed versions, providing an option for downloading content in different formats. The archive is a valuable resource for reviewing and accessing discussions from different periods within the specified timeline.

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These early milestones laid the groundwork for modern radio broadcasting, and their influence continues to be felt today in the dynamic world of radio communication.

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What Are the Audio Archives?

The Audio Archives are a collection of recordings that have been gathered over the years, offering a wide variety of DXing-related content. These include live broadcasts, special transmissions, DX tests, and other unique radio-related materials. For anyone passionate about broadcast and shortwave radio, the Audio Archives serve as an invaluable resource for both historical and current content.

Why the Move to E-DX News?

The relocation of the Audio Archives to the E-DX News website brings several benefits to users:

1. Improved Accessibility: By hosting the archives on the E-DX News platform, users can now access the audio materials from a more modern, user-friendly interface. This change improves navigation and makes it easier to find the content you’re looking for.
2. Faster Updates: The move to the E-DX News website also ensures that updates to the archives will be faster and more consistent. This is especially important as new recordings and content are continually added.
3. Enhanced Features: The E-DX News website offers advanced features that improve the overall user experience, such as easier searching, downloading, and streaming options.
4. Streamlined Access to Other Resources: For members of the DXing community, E-DX News is already a familiar platform where news, articles, and updates are shared regularly. Now, with the integration of the Audio Archives, it becomes even more of a central hub for all things DX.

How to Access the Audio Archives

To explore the Audio Archives, simply visit the E-DX News website. Once you’re there, you’ll find a dedicated section where the archives are categorized for easy navigation. Whether you’re looking for a specific recording or just browsing for interesting content, you’ll be able to quickly find what you need.

Stay Informed, Stay Engaged

With the Audio Archives now more accessible than ever, this is a great opportunity to revisit past DXing events, learn new tips, and enjoy a wide array of radio broadcasts. The NRC and E-DX News continue to work together to bring you the best in radio-related content, ensuring that our community has the resources they need to thrive in the world of DXing.

If you haven’t already, head over to the E-DX News website and dive into the expanded collection of audio materials. It’s an excellent way to stay informed, enhance your DXing skills, and connect with fellow radio enthusiasts.

Stay tuned for more updates and enjoy the audio experience!

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Reprints and Articles of Interest

At the Publication Center, you can find reprints of past articles from DX News Magazine, providing insights into topics of historical and ongoing interest for radio enthusiasts. This page has been updated as of December 2005 to facilitate easy ordering via PayPal.

Special Payment Arrangements for Canadian Members

For our Canadian members, the National Radio Club (NRC) has made special arrangements to accept payments in U.S. funds through Canadian banks for any NRC products, including subscriptions. Please note that all Canadian checks must be sent exclusively to the Publication Center. Payments can also be made using PayPal for convenience.

Ordering from the NRC Publication Center

If you’re looking for products that may no longer be listed but might still be available, you can order the ZAL NRC Archived Publications List. The ZAL costs only $1.00 and can be obtained from the Publications Center.

Orders can be placed directly on the NRC website using PayPal or by mail using the order form. Typically, orders are processed within two weeks, although many are fulfilled in under four days. Shipping is handled via USPS, with delivery times ranging from 2 to 4 weeks. If there are any delays in fulfilling your order, NRC Publications will contact you with an estimated shipping date.

Expedited Shipping Options

If you require expedited shipping (overnight or second-day service), please contact NRC Publications before placing your order and payment to make necessary arrangements.

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NARBA Changes

During the NARBA conference, the U.S. delegation proposed protecting 25 frequencies for exclusive use by single stations, which could include super-power stations, and another 21 frequencies for stations operating at 50 kW. For the first time, two classifications were introduced: 1-A and 1-B stations. 1-A stations would operate non-directionally with sole nighttime use of their frequencies, while 1-B channels could accommodate multiple stations, each transmitting at a maximum of 50 kW, often using directional antennas to minimize interference. These 1-B stations would accept interference from other countries, even within U.S. borders, but the 1-A stations would have greater protection from interference.

Intriguing Language

Some countries at the NARBA conference pushed for a clause that would shape future discussions on clear-channel stations. The language established that while 1-B stations could transmit up to 50 kW, 1-A stations would be granted a minimum of 50 kW. This subtle wording marked a significant departure from the FCC’s typical 50 kW maximum limit, and would play a key role in future U.S. policy. In return for this concession, the U.S. secured an important geographical stipulation: co-channel stations in neighboring countries would be required to be at least 650 miles away from the U.S. border, effectively preventing most co-channel operations on U.S. 1-A frequencies throughout North America. The U.S. delegation returned home with protection for its 25 1-A channels, as well as an agreement to expand the AM band up to 1600 kc/s.

The Great Dial Switch

To implement the changes from NARBA, the U.S. undertook a major frequency reassignment on March 29, 1941. Many AM stations shifted to new positions on the dial, generally moving up 10 to 30 kc/s, although most stations only retuned their equipment without significant changes to their infrastructure. As a result, some stations still operate with towers that are not optimally sized for their current frequency.

With NARBA’s implementation complete, the FCC turned its attention to ensuring reliable nighttime service to the country’s “white areas.” Discussions on how to best serve these areas had begun as early as 1936, but it wasn’t until February 20, 1945, that the FCC officially opened Docket 6741, marking the beginning of the clear-channel broadcast debate. This issue would last for over three decades, involving significant legal and engineering discussions.

Engineering and Economic Advice

As part of the clear-channel proceedings, the FCC sought input from the broadcasting industry on how to address the coverage needs of white areas. Advisory engineering committees suggested the creation of at least four national nighttime services. However, it was agreed that four stations could not effectively cover the entire country, and duplication would be necessary. Economic considerations also played a crucial role in the discussions. Some industry experts argued that the economic model for U.S. broadcasting might not support super-power stations, especially in sparsely populated areas, where advertising revenue could not sustain such operations. This led to comparisons with Rural Free Delivery, where urban centers subsidize services to remote areas.

The committees concluded that super-power stations would need to be located in urban centers to secure financial backing, but relocating these stations to less populated areas would likely be economically unfeasible. This economic argument, coupled with other factors, led the FCC to focus on duplicating clear-channel frequencies rather than expanding super-power stations.

What’s Next?

During the late 1940s and early 1950s, the clear-channel issue continued to surface, with a range of interests vying for influence. Some stakeholders saw a genuine need to provide better service to white areas, while others pushed for the dissolution of 1-A stations altogether. As the FCC considered these competing interests, it gradually shifted toward a more politically acceptable position, advocating for “more stations” as a solution to the problem.

In 1946, the FCC allowed “Daytimer” stations to operate on 1-A channels, but only within a 750-mile radius of existing 1-A stations, to avoid interfering with high-power operations. This decision led to the rise of political advocacy, as new Daytimer stations sought their place on the dial.

In 1948, CBS proposed incorporating FM stations into the definition of white-area service, arguing that new FM assignments would extend coverage to numerous new communities. However, the FCC rejected this argument, maintaining that clear-channel stations would remain essential for wide-area coverage, a stance it held until the 1970s.

By 1958, the FCC began tentatively proposing new frequency allocations for the western states, including the creation of additional Class I and II stations to address coverage gaps. These proposals were part of a broader effort to improve service to underserved areas, although they also underscored the complexity of balancing competing interests in the evolving world of U.S. radio broadcasting.

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The Art of DXing: AM Radio as a Hobby

For many, AM radio is more than just a source of news and music—it’s a challenging and rewarding hobby. DXing refers to the pursuit of distant stations, a practice that requires skill, patience, and an understanding of the complex variables that affect radio signal propagation. Radio enthusiasts tune into stations from all over the world, tracking down signals that others may never hear. From remote stations in the Arctic to powerful signals across continents, DXing provides a fascinating way to explore the world of AM radio.

In the United States, radio clubs play an important role in this niche hobby. Organizations like the International Radio Club of America (IRCA) and the National Radio Club (NRC) provide DXers with the tools they need to sharpen their skills and connect with fellow enthusiasts. These clubs host conferences, share reports and tips, and foster an environment where members can learn from one another. Whether it’s tracking down rare signals or fine-tuning equipment, these communities form a network of knowledge and camaraderie for anyone passionate about AM radio.

How Radio Clubs Keep the Spirit of AM Radio Alive

Radio clubs in America are integral in keeping the legacy of AM radio alive. Through regular newsletters, conferences, and online forums, members share experiences, discuss new techniques, and document their DXing successes. These platforms allow users to compare reception reports, provide feedback on equipment setups, and stay informed about AM frequency changes.

For example, the IRCA eGroup is a popular online forum where members exchange tips on the latest radio broadcasts, DX tests, and band conditions. The National Radio Club also offers members the opportunity to participate in DXing events, share reception reports, and connect over shared interests in AM broadcasting.

Moreover, radio clubs often organize events that celebrate the history and future of AM radio. These gatherings might include special broadcasts, lectures on radio history, and equipment showcases. For those involved in DXing, attending such events is a chance to meet other hobbyists, exchange information about rare stations, and discover new ways to improve reception quality.

AM Radio Usage: Broadcasting Beyond the Basics

While traditional broadcasting is the primary function of AM radio, its usage extends into the world of testing and experimentation. DX tests, in which stations deliberately broadcast test signals to allow listeners to identify and verify signals, are a cornerstone of the AM DXing community. These tests are not only a fun way to engage with radio but also provide valuable data for amateur broadcasters, engineers, and enthusiasts.

Stations in the United States and abroad regularly conduct special broadcasts to commemorate significant events, anniversaries, or new transmitter setups. For instance, the special 75th-anniversary broadcast from Goteborg, Sweden, mentioned in previous reports, highlights how radio stations celebrate milestones by connecting with global audiences via AM signals. Such broadcasts often attract attention from hobbyists eager to tune in to unique and limited-time transmissions.

Additionally, as the world continues to transition toward digital technologies, there are efforts to keep AM radio relevant by exploring digital AM broadcasts. This evolution represents the ongoing adaptation of AM radio to modern needs and demands while maintaining its roots in traditional broadcasting. Enthusiasts and engineers are constantly exploring ways to enhance signal quality, reduce interference, and integrate AM radio with new digital technologies.

The Future of AM Radio: Challenges and Opportunities

While AM radio faces challenges from newer technologies like FM, digital audio broadcasting (DAB), and internet streaming, it has a strong presence in the world of radio hobbyists. The growing popularity of DXing, along with a deep respect for radio’s history and technical intricacies, ensures that AM radio will continue to thrive in certain circles. However, for the general public, AM radio faces an uncertain future. The trend toward digital audio and FM broadcasts offers clearer sound quality and greater convenience, making AM less of a go-to medium for everyday listening.

Despite this, the AM radio spectrum is still home to a vibrant, niche community of radio enthusiasts. As digital transitions continue to unfold, the hobby of DXing and the culture of radio clubs will remain steadfast. The allure of exploring the airwaves, uncovering far-flung stations, and learning about radio’s technical aspects will continue to inspire new generations of radio lovers.

For members of radio clubs, AM radio offers a window into the past and an ongoing source of excitement. Whether participating in a DXing contest, sharing the thrill of hearing a distant station, or preserving the legacy of early radio broadcasts, AM enthusiasts are committed to keeping the airwaves alive in an ever-evolving media landscape.

The usage of AM radio may have shifted in recent decades, but for many in the world of radio clubs and enthusiasts, it remains a timeless passion. The unique challenges of AM DXing, the community-focused environment of radio clubs, and the continued innovation in the field ensure that AM radio will persist as a cherished hobby for years to come. Whether you’re a seasoned DXer or just beginning to explore the world of AM radio, there’s always something new to discover and enjoy on the airwaves.

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Some believe Nathan Stubblefield, an eccentric inventor from rural Kentucky, was the first to transmit the human voice wirelessly. Stubblefield claimed to have made a transmission as early as 1892, but he didn’t demonstrate his invention publicly until January 1, 1902, in his hometown of Murray, Kentucky. Witnesses reported that voices and music were sent through the air. However, his later years were marked by tragedy, as Stubblefield was found dead in 1928 in the shack where he had lived alone, reportedly from starvation.

Meanwhile, Reginald Aubrey Fessenden, a Canadian-born electrical engineer, made a historic transmission on Christmas Eve 1906. Broadcasting from a station at Brant Rock, Massachusetts, Fessenden transmitted the human voice over hundreds of miles, reportedly reaching ships at sea. Known for his contributions to wireless transmission, Fessenden invented the continuous-wave principle and the heterodyne system, which laid the foundation for many later radio and communication technologies. He passed away in 1932 at the age of 65.

Another key figure in early radio is Lee de Forest, an inventor and Yale-educated minister’s son, who made several notable early broadcasts. He transmitted phonograph records from the Eiffel Tower in Paris in 1908 and broadcast a performance of Enrico Caruso at the Metropolitan Opera House in New York in 1910. De Forest, who is credited with inventing the three-element vacuum tube in 1906 (a crucial development in radio, long-distance telephony, sound movies, and television), continued his work in radio throughout his life, leaving behind a legacy of patents and several fortunes gained and lost before his death in 1961.

In 1909, Charles David Herrold from San Jose, California, set up a radio-telephone station primarily for experimental purposes and as a promotional tool for his school of engineering and wireless. His station, which broadcasted music and news, later grew into KQW in 1921 and eventually became KCBS in 1949, now a major CBS-owned station in San Francisco. Herrold, a noted microscopist and inventor, also contributed to numerous fields, including electrical devices for dentistry and surgery, and developed equipment for pearl fishers and salvage operations.

Earle Melvin Terry, a professor at the University of Wisconsin, helped establish 9XM in Madison, Wisconsin, now WHA, which claims to be the nation’s oldest broadcast station. Terry’s encouragement of his student C. J. Jansky Jr. led to the development of three-element power vacuum tubes that were used in Wisconsin’s first radio-telegraph station. In 1917, the station broadcasted its first transmissions of voice and music. Terry’s pioneering work and that of his students contributed significantly to the early development of radio broadcasting.

The Scripps family, originally from England, made a significant contribution to radio with the establishment of station 8MK in Detroit. On August 20, 1920, 8MK became what is claimed to be the first station to broadcast regularly scheduled programs. The station’s inaugural broadcast included the words “This is 8MK calling,” followed by music and an announcement asking listeners, “How do you get it?” This broadcast is believed to have reached about 30 homes in Detroit. The station eventually became WWJ, which continues to broadcast today. The Scripps family’s interest in radio began after they financed an experimental wireless operator’s work in 1902, and their son, William John Scripps, a passionate ham radio enthusiast, helped turn WWJ into a significant force in early radio broadcasting.

The early history of radio broadcasting is marked by a series of groundbreaking efforts and claims, making it a complex and fascinating story. Each of these innovators contributed to the development of radio as we know it today, though the precise order of their achievements remains a subject of debate, much like the comedy sketch “Who’s on First?”—a humorous mix-up of names and events that has become legendary in its own right.

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Color television is more captivating than black-and-white television because it creates more realistic illusions. For most people, normal vision includes color, and any image-producing process that lacks color demands more from the viewer’s imagination. Although black-and-white images, such as green grass or blue skies, can still convey meaning and perception, they are far more effective when presented in full color. Outdoor scenes, in particular, may seem uninteresting in black-and-white but come alive in color, offering a much richer aesthetic experience.

When developing a color television system for broadcasting, it becomes clear that the challenge goes beyond purely technical factors. Any color television system must meet several essential criteria: technical requirements (Does it produce high-quality images?), compliance with government regulations (Does it meet FCC standards?), economic feasibility (Can receivers be mass-produced, and does the system allow for affordable color broadcasting?), public interest (Does it enhance, rather than detract from, existing broadcast services?), and efficient use of resources (Does it make optimal use of the frequency spectrum?).

After considering these various factors, a set of minimum requirements for a broadcast color television system can be established. These criteria, widely supported by engineers in the industry, include:

1. Colorimetric Requirement: The system should produce high-quality images with accurate color reproduction. It must also meet performance standards for flicker, brightness, contrast, resolution, and picture texture, comparable to existing black-and-white systems.
2. Compatibility Requirement: The color television system should be compatible with existing black-and-white receivers, allowing them to produce clear images from color broadcasts without needing modifications. Conversely, color receivers should still be able to display black-and-white images from monochrome signals.
3. Channel Utilization Requirement: The system must operate within a 6-megacycle broadcast channel, in accordance with FCC regulations. Additionally, it should make the best possible use of the available frequency spectrum by allocating space for different components of the color signal based on how the human eye processes the information.

In 1949, the Radio Corporation of America (RCA) introduced a color television system that met the basic criteria for a broadcast service. Since 1950, RCA engineers have worked alongside engineers from various companies through the National Television System Committee (NTSC) to refine the signal specifications for optimal performance within the framework of the original RCA system. These specifications were submitted to the FCC on July 23, 1953, and were approved on December 17, 1953. This paper explains the operational principles of the RCA color system and provides details about the FCC-approved signal specifications, which ensure that the system meets the previously established requirements.

Basic Colorimetric Principles

For most people, color vision is governed by three key attributes: brightness, hue, and saturation. Brightness refers to how light or dark a color appears, ranging from black (the absence of light) to pure white. Hue is the color itself—red, green, yellow, blue, and so on. Saturation describes the intensity of a color; highly saturated colors are vivid and intense, while less saturated colors are pale or pastel.

One of the main challenges in converting a monochrome television system to color is managing these additional attributes. Unlike black-and-white systems, which only control brightness, color television must handle three independent variables: brightness, hue, and saturation. To achieve this, the system requires at least three separate signals, each representing one of these components. These signals must be compatible with the physical limitations of both the pickup tubes and the display devices. By considering the relationship between light energy and color perception, the RCA color system ensures that these requirements are met in a practical and effective way.

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Note:

• “*” indicates tips/info from the IRCA eGroup (shared with permission). To subscribe, join the International Radio Club of America at http://www.egroups.com.
• “**” marks posts originally shared on the AM@NRCDXAS.ORG list (with permission from the National Radio Club).
• “***” denotes items originally from the Hard Core DX list.
• “****” indicates posts from the MWDX list.

CPC and DX Tests

10/13/00 Fri – 0655-1200 UTC – 1584 kHz – Goteborg, SWEDEN
10/14/00 Sat – 0600-0800 UTC – 1584 kHz – Goteborg, SWEDEN

To mark the 75th anniversary of radio in Sweden, there will be special broadcasts from a 150-watt transmitter in Gothenburg on 1584 kHz, scheduled for October 13th (0655-1200 UTC) and October 14th (0600-0800 UTC). Additionally, test transmissions will take place on October 8th between approximately 1500-1800 UTC. For more details in Swedish, visit the SWEDX mailing list post from October 5th.

For reception reports, contact radiomuseet@swipnet.se or sm6kri@telia.com. The station is well-received in Finland and northern Sweden.

DX Test Results:

• WJNT-1180, Jackson, MS
  Tested on Saturday, September 30, 2000, from 1:00-2:00 AM EDT.
  The test was heard by many, including Tom Jasinski (Shorewood, IL), David Hochfelder (New Brunswick, NJ), and others. However, some listeners, like Bob Karchevski (Mountain View, CA), could not hear it. A notable participant, Bill Flynn (Cave Junction, OR), listened via the WJNT website instead of over-the-air reception.

NRK Ingoy Transmission Updates

• 153 kHz: NRK’s special transmission from Ingoy (Norway) has been audible in Southern Finland since 1900 UTC. Despite interference from stronger signals, NRK’s broadcast can be heard with a K9AY antenna. The program provides information about Ingoy and future longwave digital transmissions. More updates are available at http://www.dxlc.com/longwave/ingoy.html.

HOT ITEMS

Broadcast Information – Prepared on 10/08/00 1000

Format Changes and Adjustments

Here are the most recent frequency changes and format updates:

• 630 WMFD, Wilmington, NC
  From silent to rock, now simulcast with WRQR. (Effective 10/4)
• 730 WBZS, Alexandria, VA
  From tropical to regional Mexican (Effective 10/4).
• 790 KJRB, Spokane, WA
  From sports/talk to adding Fox Sports. (Effective 10/4).
• 820 WXTR, Frederick, MD
  From country and western to news, set to simulcast with WTOP by December.
• 850 KJON, Anadarko, OK
  From country & western (simulcast with KRPT) to clear country. (Effective 9/27).
• 1050 WKDL, Silver Spring, MD
  From regional Mexican to WPLC Romantica (Effective 10/4).
• 1060 KOFY, Gilmer, TX
  From news to Spanish variety (Effective 9/20).
• 1220 KLVZ, Denver, CO
  From Christian to classical (Effective 10/4).
• 1280 KVOD, Denver, CO
  From classical to Spanish (Effective 10/4).
• 1540 KGBC, Galveston, TX
  From oldies to adding ESPN Sports (Effective 9/27).
• 1590 WHLX, Marine City, MI
  From C&W to oldies, simulcast with WHLS (Effective 9/27).

Construction Permits Granted

(Details of additional permits, format changes, and construction updates can be found in the full issue).

Keep tuned for more exciting updates in the next issue.

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1. KABC – San Antonio, TX
2. KALE – Portland, OR
3. KARK – Little Rock, AR
4. KASA – Elk City, OK
5. KBPS – Portland, OR
6. KBTM – Paragould, AR
7. KCMC – Texarkana, AR
8. KCRC – Enid, OK
9. KCRJ – Jerome, AZ
10. KDB – Santa Barbara, CA
11. KDFN – Casper, WY
12. KDKA – East Pittsburgh, PA (operated by Westinghouse Electric & Manufacturing Co.)
13. KDLR – Devils Lake, ND (Radio Electric Co. & Wilson Insurance Agency)
14. KDN – San Francisco, CA (Leo J. Meyberg Co.)
15. KDP – Seattle, WA (Saint James Cathedral, temporary)
16. KDPM – Cleveland, OH (Westinghouse Electric & Manufacturing Co.)
17. KDPT – San Diego, CA (Southern Electric Co.)
18. KDYL – Salt Lake City, UT (Intermountain Broadcasting Co.)
19. KDYM – San Diego, CA (Savoy Theater)
20. KDYN – Redwood City, CA (Great Western Radio Corporation)
21. KDYO – San Diego, CA (Carlson & Simpson)
22. KDYQ – Portland, OR (Oregon Institute of Technology)
23. KDYR – Pasadena, CA (Pasadena Star-News Publishing Co.)
24. KDYS – Great Falls, MT (The Tribune)
25. KDYU – Klamath Falls, OR (Herald Publishing Co.)
26. KDYV – Salt Lake City, UT (Cope & Cornwell Co.)
27. KDYW – Phoenix, AZ (Smith Hughes & Co.)
28. KDYX – Honolulu, HI (Star Bulletin)
29. KDYY – Denver, CO (Rocky Mountain Radio Corporation)
30. KDZA – Tucson, AZ (Arizona Daily Star)
31. KDZB – Bakersfield, CA (Frank E. Siefert)
32. KDZD – Los Angeles, CA (W. R. Mitchell)
33. KDZE – Seattle, WA (Rhodes Brothers Dept Store)
34. KDZF – Los Angeles, CA (Automobile Club of Southern California)
35. KDZG – San Francisco, CA (Cyrus Peirce & Co.)
36. KDZH – Fresno, CA (Fresno Evening Herald)
37. KDZI – Wenatchee, WA (Electric Supply Co.)
38. KDZJ – Eugene, OR (Excelsior Radio Co.)
39. KDZK – Reno, NV (Nevada Machinery & Electric Co.)
40. KDZL – Ogden, UT (Rocky Mountain Radio Corporation)
41. KDZM – Centralia, WA (E. A. Hollingworth)
42. KDZP – Los Angeles, CA (Newberry Electric Corporation)
43. KDZQ – Denver, CO (Motor Generator Co.)
44. KDZR – Bellingham, WA (Bellingham Publishing Co.)
45. KDZT – Seattle, WA (Seattle Radio Association, temporary)
46. KDZU – Denver, CO (Western Radio Corporation)
47. KDZW – San Francisco, CA (Claude W. Gerdes)
48. KDZX – San Francisco, CA (Glad Tidings Tabernacle)
49. KDZZ – Everett, WA (Kinney Brothers & Sipprell)
50. KECA – Los Angeles, CA
51. KEJK – Beverly Hills, CA (R. S. Macmillan)
52. KELW – Burbank, CA (Earl L. White)
53. KERN – Bakersfield, CA
54. KEX – Portland, OR (Western Broadcasting Co.)
55. KFAB – Lincoln, NE (Nebraska Buick Auto Co.)
56. KFAC – Glendale, CA (Glendale Daily Press)
57. KFAD – Phoenix, AZ (Electrical Equipment Co.)
58. KFAE – Pullman, WA (State College of Washington)
59. KFAF – San Jose, CA (Alfred E. Fowler)
60. KFAN – Moscow, ID (University of Idaho)
61. KFAP – Butte, MT (Standard Publishing Co.)
62. KFAQ – San Jose, CA (City of San Jose)
63. KFAR – Hollywood, CA (Studio Lighting Service Co., O. K. Olsen)
64. KFAT – Eugene, OR (Dr. S. T. Donohue)
65. KFAU – Boise, ID (Boise High School)
66. KFBF – Butte, MT (Butte School of Telegraph, F. H. Smith)
67. KFBG – Tacoma, WA (First Presbyterian Church)
68. KFBH – Marshfield, OR (Thomas Musical Co.)
69. KFBI – San Francisco, CA (Flying Broadcasters Inc.)
70. KFBJ – Boise, ID (Idaho Radio Supply Co.)
71. KFBK – Sacramento, CA (Kimball-Upson Co.)
72. KFBL – Everett, WA (Leese Brothers)
73. KFBM – Astoria, OR (Cook and Foster)

This extensive list represents just a portion of the many radio stations that were operational in the U.S. during the 1920s, each contributing to the diverse and rapidly expanding world of broadcast media. From early pioneers like KDKA in Pittsburgh, which famously became the first commercial radio station, to smaller stations in rural towns, these stations helped shape the media landscape of the era and set the stage for the growth of the radio industry as we know it today.

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